Lichen has now moved to GROW London for a 3-day event with Maureen Michaelson Gallery, on Hampstead Heath – with a very positive reception!
A new exhibition starts this Saturday entitled ‘Of Form and Texture’ at Sidcot Arts Centre, in which some of my work will be on show as part of a selected group: Diane Burnell, Sara Parsons, Debbie Lamb and Laura Howarth are also taking part. My Lichen piece – made originally for the Abundance commission (Garden of Eden) – has now been re-installed as part of the exhibition. It took nearly 2 days to install (thanks to the help of friend Nigel Evans), but is now up and ready for the Launch event on Saturday. It’s interesting to see how it changes – a re-invention each time I install.
3 of my sculptures have been on show outside the entrance of Sidcot Arts Centre since February, the first set of work for their new Outdoor Sculpture Programme. One of these featured pieces is Giant Nest – also created originally for the Abundance commission (Garden of Eden).
Below are details of the exhibition – please come along!
The last fortnight has been a rather mad whirlwind leading to SAW’s opening, managing both my venues between other day-to-day commitments, testing my sanity. Miraculously, the Garden of Eden came together on time. With the support and help of good friends and a few late nights finishing off, I managed to complete my 3 installations at Esotera, set up at Thornreed Studio (venue 94), get to the Abundance micro feast at East Lambrook, do a talk and workshop on the first Saturday and thoroughly enjoy chatting to visitors for the past week. Thanks to Pauline Watson and team, the Harveys (owners at Esotera) and Hicks & Don (wine sponsors) for their hard work, food and drink contributions to the private view, it was a lovely event.
I asked a photographer (from 35mil) to take some pics of the work. We re-scheduled 3 times due to poor weather and it was third time lucky when the sun finally broke through after a dull, cold day. Dappled sunlight heightens the enchantment on the largest piece – lichen-inspired work set in a copse of silver birch trees. What’s really needed now is more sunshine to do its magic over this last coming weekend to encourage a wider, more abundant audience.
I’ve received many appreciative, insightful comments about the Garden of Eden and yesterday was a particularly good day at Esotera, with a large range of visitors of all ages. A friend even made a visit from above in a glider. Grass is starting to grow through my main installation, and although I regularly collect some of the leaves/debri that fall onto the work (especially after high winds last week), they almost enhance it. The work is settling into the site – perhaps it should remain a permanent feature! Gengis the cat is enjoying the extra attention and Scruffy – one of the free-roaming chickens – has an odd habit of pecking at visitors’ feet/legs! Ahh sweet!
I am feeling positive about the whole experience, apart from poor weather at times bringing less visitors (and a few recoiling when faced with the NGS entrance fee). It has been hard work, challenging, great fun, addictive even – and I think, successful.
I’ve been gathering scrap materials from pockets of Somerset to use in my work at Esotera. Dragging rusty barrels from woodland walks, corrugated steel fences no longer required for guinea fowl and rummaging through skips and scrapyards to add to my collection of materials, in line with the ethos at Esotera of utilising found and recycled items.
They don’t look much like artwork yet, but planning to transform them into something with more form and colour in the coming months, together with other mixed media such as wire, copper, twine, wool, netting… Looking for yellow netting and copper (sheet, piping and wire) at the moment, if anyone has these spare to donate?