Donors

In addition to collecting materials on walks in the area and at Pylle scrapyard, my work has relied on the kindness of numerous local donors, who have given me recycled materials and/or their time.   A huge thank you to the following:  Sam Garland, John Shepherd Feeders, Ridgeway Garage, Station Road Garage, Pete Reakes, Fon Cosens, Somerset Earth Science Centre, Andrew and Shirley Harvey, Vicky Grinter, Georgia Grinter, Caroline James, Jason Nosworthy, Nigel Evans, Peter Osborne, Denise Campbell, Nick Weaver, Adrian Candy.

I have struggled to keep up with my own self-inflicted deadlines for making the Abundance installations, especially during this school summer holiday, although I am making progress.   With September nearly upon us, I’ll need to accelerate in order to get it all completed on time.

My large ‘fallen nest’ is coming along ok and I hope to complete it in the next week.  Other parts to the lichen-inspired installation have now been shaped and patinated using reclaimed copper and lead.  I have a couple more items to make, and will then set it all out again in my garden as a mock up.  It’s been great fun exploring techniques and finding new ways of working with materials.

We are meeting with the owners at Esotera this Friday for a final update on the work and Art Weeks arrangements.   Very soon it will be time to install….  better get moving!

Nest in progress Nest in progress Nest in progress Nest in progress Patinated Copper Lead leaf

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Heat is on

It’s been wonderful working out in the garden in the heat and sunshine.  I’ve been able to spread out my collected materials and see how it might all come together.  Plasma cutting got a little too hot but it’s a nifty new tool for ‘drawing’ ragged edges for the effect I want.

Fiona plasma cutting Lichen-inspired - work in progress

Even more inspired to get on with my final piece after going to a talk by Piet Oudolf in Bruton this week (Kitty Hillier was also there).  His world re-knowned natural garden designs, using grasses as an integral feature, are an inspiration to the owners at Esotera.  Tall reeds and grasses around their large pond will be echoed by the textures and  vertical sense of movement in my giant ‘fallen’ nest.

Progress

Not there yet, but here are a few photos of my progress over the past few weeks.  I think the correct term is ‘hoarder’… my garden’s been taken over and going a bit wild, but the good news is I have enough scrap steel now!  I would still love to acquire some more copper – especially in sheet or bowl form – if anybody can help?   Will soon be embarking on using my new plasma cutter, which should make the job much easier.  There’s still lots to do.  The real art will be to bring it all together successfully…

Pile of scrap steelWorking out the scale for EsoteraScrap steel ready for cutting Ready for cuttingBeautiful rustGrowing collection of lichenTriffid/lichen

Crossovers

Pieces are steadily coming together.  The aim is to create a mass of giant growing forms, inspired by lichen, linked to the Eden concept and utilising found objects.  It involves hours of weaving, wrapping and forming, using soft and hard materials together, which is relatively new for me and occasionally  I wonder if I’ll ever get it finished.  Anyway, it’s becoming a daily activity and no matter what else the day holds, I try to spend a few hours on the Abundance work.  I’m hooked on what I’m making, and what I would really like is to have no other interruptions but life isn’t that simple..

Earlier this week we went to Esotera again to measure the installation area and confirm a few details with Zoe.  A landscape designer friend, Jason, came along to help work out where the grass might be allowed to grow a little, in order to create more of an enclosure for the work.  Owners Andrew and Shirley have been very accommodating with this.

Lichen with birch trees beyond Planning the long grass boundaries

Lichen sketch Giant lichen form in progress

On reading the other Abundance artist posts, I like the idea that there seems to be several crossovers in our work; connections which somehow tie the Trail together.

Scrap

I’ve been gathering scrap materials from pockets of Somerset to use in my work at Esotera.  Dragging rusty barrels from woodland walks, corrugated steel fences no longer required for guinea fowl and rummaging through skips and scrapyards to add to my collection of materials, in line with the ethos at Esotera of utilising found and recycled items.

Steel barrel Scrap steel

They don’t look much like artwork yet, but planning to transform them into something with more form and colour in the coming months, together with other mixed media such as wire, copper, twine, wool, netting…  Looking for yellow netting and copper (sheet, piping and wire) at the moment, if anyone has these spare to donate?

Esotera featured in Country Living – May ’13

A friend pointed out this wonderful 5-page article featuring Esotera in Country Living (May ’13).  It shows the garden I’ve been allotted in full bloom and as I’ve only seen the garden in winter, it has got me even more excited about the prospect of making some work here, amongst the elegant alliums and plum-coloured papavas.  The article focuses on the creative collaboration between Esotera’s lovely owners Andrew and Shirley Harvey, their ingenious transformation of a field, imaginative use of reclaimed items and sensitivity to wildlife.  And we are mentioned at the end!

Country Living article - May Esotera 1 1 Esotera 3 Esotera 4 Esotera 5